“The Bride!” Review: Maggie’s Monstrous Metafiction
March 20, 2026
The film is wild, unfocused, and utterly chaotic—and it may end up being one the best movies of the year.
“How to Make a Killing Review”: Glen Powell Steals From the Rich and Gives to Himself
February 27, 2026
John Patton Ford (“Emily the Criminal”) combines the mythic piety of Francis Ford Coppola and the spiritual torment of Martin Scorsese.
“Good Luck, Have Fun, Don’t Die” Review: Gore Verbinski Breaks His Hiatus—and the Internet
February 20, 2026
“Good Luck” marks the return of Verbinski a full decade since his last feature, the magically mountainous cult classic “A Cure For Wellness.”
Bridget Jones: Mad About the Girl
February 13, 2026
If there were an Oscar for Best Creation of a Character Over Time, Renée Zellweger would be the just victor.
“Send Help” Review: Sam Raimi Directs the Unholy Love Child of “Misery” and “Survivor”
February 6, 2026
Raimi, now an elder statesman of cinema, indulges his desire to test the limits of character likability.
