
“Frankenstein” Review: Guillermo del Toro Beautifully Revivifies His Literary Favorite
Del Toro immerses himself in every facet of creation: the before, the during, and the after.

Del Toro immerses himself in every facet of creation: the before, the during, and the after.

Annihilating violence rages through Bigelow’s oeuvre, making “A House of Dynamite” seem like the inevitable fulfillment of a promise.

After shattering the world record for unmemorable performances in passionless blockbusters, Johnson has surrendered himself to Safdie.

Paul Thomas Anderson knows that while fascism and racism are no joke, laughter can be a lethal weapon against authoritarians and bigots.

Kogonada, director of “Columbus” and “After Yang,” returns with a beguiling and frustrating fantasy.

Frisky fun from a director who’s at his most exuberant when he’s frolicking in the dark.
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