John Patton Ford (“Emily the Criminal”) combines the mythic piety of Francis Ford Coppola and the spiritual torment of Martin Scorsese.
“Good Luck” marks the return of Verbinski a full decade since his last feature, the magically mountainous cult classic “A Cure For Wellness.”
If there were an Oscar for Best Creation of a Character Over Time, Renée Zellweger would be the just victor.
Raimi, now an elder statesman of cinema, indulges his desire to test the limits of character likability.
If I ran the Academy….
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