While most slashers have unlikable, unintelligent protagonists, “Ready or Not 2” Samara Weaving as a street-smart badass.
The film is wild, unfocused, and utterly chaotic—and it may end up being one the best movies of the year.
John Patton Ford (“Emily the Criminal”) combines the mythic piety of Francis Ford Coppola and the spiritual torment of Martin Scorsese.
“Good Luck” marks the return of Verbinski a full decade since his last feature, the magically mountainous cult classic “A Cure For Wellness.”
If there were an Oscar for Best Creation of a Character Over Time, Renée Zellweger would be the just victor.
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