Movie reviews and more

“F1” rejects satire to make speed hot, nasty, and badass again. It’s more akin to a Formula One commercial than a feature film.

Chuck is large, Chuck contains multitudes.

Song’s follow-up to “Past Lives” is a romantic not-comedy that is entrancing, honest, and heartfelt.

“Always Hold On To Smallville” is better—wiser, wittier, more emotional—than “Smallville” itself.

“The Final Reckoning” is one of the bitterest and most baffling cinematic disappointments of my lifetime.