And the 2025 Oscar Nominees Should Be…. (According to Bennett)

If I ran the Academy….
Bennett’s Top 10 Movies of 2025

To invoke my favorite fictional critic of the year, this list is actually really emotional! Maybe it’ll resonate with you.
“Resurrection” Review: Goodbye, Cinema, Hello

Bi Gan’s new film is not only a valentine to moviegoing, but a challenge to moviemakers.
“Avatar: Fire and Ash” Review: Learning the Difference Between Right and Varang

James Cameron’s sequel is a cinematic cousin of his 1989 film “The Abyss,” which confronted (and nearly drowned in) divine endlessness.
“Hamnet” Review: All Things in Heaven and Earth Are Dreamt of in Chloé Zhao’s Cinema

Zhao’s latest is not only in a tormented romance between a woman and a man, but between wildness and civilization.
Last Flag Acting: What Democrats Can Learn From Movie Politicians

Cinema is uniquely suited to dramatize politics. Here are three lessons from the careers of movie politicians.
“A House of Dynamite” Review: On Kathryn Bigelow’s Command, Unleash Hellfire

Annihilating violence rages through Bigelow’s oeuvre, making “A House of Dynamite” seem like the inevitable fulfillment of a promise.
“One Battle After Another” Review: Times Are Hard, Cinema Is Brave

Paul Thomas Anderson knows that while fascism and racism are no joke, laughter can be a lethal weapon against authoritarians and bigots.
“A Big Bold Beautiful Journey” Review: Cosmic Romantics, You Have Reached Your Destination

Kogonada, director of “Columbus” and “After Yang,” returns with a beguiling and frustrating fantasy.
“Caught Stealing” Review: The Dispassion of Darren Aronofsky

Frisky fun from a director who’s at his most exuberant when he’s frolicking in the dark.