John Patton Ford ("Emily the Criminal") combines the mythic piety of Francis Ford Coppola and the spiritual torment of Martin Scorsese....

“Good Luck” marks the return of Verbinski a full decade since his last feature, the magically mountainous cult classic “A Cure For Wellness.”...

Raimi, now an elder statesman of cinema, indulges his desire to test the limits of character likability....

Bi Gan's new film is not only a valentine to moviegoing, but a challenge to moviemakers....

James Cameron's sequel is a cinematic cousin of his 1989 film “The Abyss," which confronted (and nearly drowned in) divine endlessness....

While season two boasts the foul-mouthed sense of humor that made the series a favorite, it also reveals the limits of the streaming model....

Zhao's latest is not only in a tormented romance between a woman and a man, but between wildness and civilization....

Del Toro immerses himself in every facet of creation: the before, the during, and the after....

Annihilating violence rages through Bigelow’s oeuvre, making “A House of Dynamite” seem like the inevitable fulfillment of a promise....

After shattering the world record for unmemorable performances in passionless blockbusters, Johnson has surrendered himself to Safdie....