“How to Make a Killing Review”: Glen Powell Steals From the Rich and Gives to Himself
John Patton Ford (“Emily the Criminal”) combines the mythic piety of Francis Ford Coppola and the spiritual torment of Martin Scorsese.
“Good Luck, Have Fun, Don’t Die” Review: Gore Verbinski Breaks His Hiatus—and the Internet
“Good Luck” marks the return of Verbinski a full decade since his last feature, the magically mountainous cult classic “A Cure For Wellness.”
“Send Help” Review: Sam Raimi Directs the Unholy Love Child of “Misery” and “Survivor”
Raimi, now an elder statesman of cinema, indulges his desire to test the limits of character likability.
