Bennett Campbell Ferguson - Fools Who Dream Movies

“F1: The Movie” Review: Driving Into a Pitt of Motorized Propaganda

“F1” rejects satire to make speed hot, nasty, and badass again. It’s more akin to a Formula One commercial than a feature film.

Chuck is large, Chuck contains multitudes.

Song’s follow-up to “Past Lives” is a romantic not-comedy that is entrancing, honest, and heartfelt.

“Always Hold On To Smallville” is better—wiser, wittier, more emotional—than “Smallville” itself.

“The Final Reckoning” is one of the bitterest and most baffling cinematic disappointments of my lifetime.

When “Revenge of the Sith” was released, I was finally old enough to experience the allure of the dark side.

Fantasias of auteurism hold no allure for Wong, who shows how the story of a man can become the story of a region.

While most biographical movies are infected with momentousness, “Being Maria” is a lithe series of vignettes.

Here’s to the fools who dream.

Like Soderbergh’s “Ocean’s” trilogy, “Black Bag” is a less a story than style bath, bubbling with dashing performers and delectable fashions.