“Being Maria” Review: Dancing Beyond the Degradations of “Last Tango in Paris”

While most biographical movies are infected with momentousness, “Being Maria” is a lithe series of vignettes....

“Black Bag” Review: Thinker, Traitor, Fassbender, Spy

Like Soderbergh's “Ocean’s” trilogy, “Black Bag” is a less a story than style bath, bubbling with dashing performers and delectable fashions....

I have some bad news for Robert Pattinson: He is a charming, handsome, and charismatic man....

“Cleaner” could have been the existential slapstick thriller of the season. Alas, it has other ideas....

Hirokazu Kore-eda’s Netflix series is about four sisters and the unfaithful father they’re stuck with....

It is a book about Malick, and also a Malickian book....

There is always the possibility that the director you decry today will be the director you defend tomorrow....

At once risqué and humane, "Babygirl" rejects the false choice between wholesomeness and transgression....

“Nightbitch" is best described as a movie about a woman who turns into a dog, which is accurate and off the film’s narrative scent....

“Gladiator II” walks well-trodden ground, but with enough oomph, transgression, and rage to make it more than UFC in leather skirts....