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Bennett’s Top 25 Films
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“Nightbitch” Review: Motherhood Makes Her Want to Howl
“Nightbitch" is best described as a movie about a woman who turns into a dog, which is accurate and off the film’s narrative scent....
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“Gladiator II” Review: There Was Once a Dream That Was Cinema (and Democracy)
“Gladiator II” walks well-trodden ground, but with enough oomph, transgression, and rage to make it more than UFC in leather skirts....
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“Anora” Review: A Sexist Fantasy Masquerading as a Feminist Fairy Tale
“Anora” styles itself as an anti-“Cinderella." Yet it can’t see past the empty, alluring image it tailors for the male gaze....
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“The Apprentice” Review: Make Movies Trump-Free Again
If “The Apprentice” convinces one American not to vote for Trump, it will have been worth making. Beyond that, it’s barely worth seeing....
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“Joker: Folie à Deux” Review: Not the Sequel We Want, But the One We Deserve
There’s nothing wrong with making a disappointing sequel. Just make sure you disappoint the right people....
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“Megalopolis” Review: Francis Ford Coppola Builds a City of Dreams and Nightmares
Coppola creates a film mesmerizingly at war with itself: obvious and abstract, conservative and progressive, ugly and beautiful....
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“Furiosa” Review: Mythic Form Battles Cinematic Function in George Miller’s Epic
What’s a director to do after transporting us to moviegoing heaven? Reach for the sun and get burned, I guess....
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