Annihilating violence rages through Bigelow’s oeuvre, making “A House of Dynamite” seem like the inevitable fulfillment of a promise....

After shattering the world record for unmemorable performances in passionless blockbusters, Johnson has surrendered himself to Safdie....

Paul Thomas Anderson knows that while fascism and racism are no joke, laughter can be a lethal weapon against authoritarians and bigots....

Kogonada, director of "Columbus" and "After Yang," returns with a beguiling and frustrating fantasy....

Frisky fun from a director who’s at his most exuberant when he’s frolicking in the dark....

A palate cleanser following the gloom of “Man of Steel," “Superman” shreds lingering questions about the character’s relevance....

“F1” rejects satire to make speed hot, nasty, and badass again. It's more akin to a Formula One commercial than a feature film....

Chuck is large, Chuck contains multitudes....

Song’s follow-up to "Past Lives" is a romantic not-comedy that is entrancing, honest, and heartfelt....

“Always Hold On To Smallville” is better—wiser, wittier, more emotional—than “Smallville” itself....